Writing & Ideas写作与观念

Research研究

My theoretical writing grows from questions that recur throughout a sustained painting practice. The agency of materials, environment, chance, control, observation, and the artist’s own judgment has gradually led me to recognize that art is not simply a subject’s one-way expression toward an object; it takes place within relations.

These questions have developed into an ongoing inquiry into life, participation, softness, and the position of the artist.

我的理论写作来自长期绘画实践中反复出现的问题。绘画中的材料、环境、偶然、控制、观看与创作者自身的判断,使我逐渐意识到:艺术并不只是一个主体对对象的单向表达,它发生在关系之中。

这些问题逐渐发展为我围绕生命、参与、柔性以及艺术家位置所进行的持续研究。

01

LIFE ART

生命艺术

Is art solely a specialized activity of professional artists, or is it a fundamental way in which people establish relations with the world through creation?

Beginning with the experience of painting, Life Art considers the relations among art, lived practice, creation, experience, and the formation of the self. It asks how art may extend beyond the individual work into a way of relating to the world.

艺术是否只是职业艺术家的特殊活动,还是人通过创造与世界建立关系的一种基本方式?

生命艺术的研究从绘画经验出发,关注艺术、生命实践、创造、经验和自我形成之间的关系。它试图讨论艺术如何从单一作品扩展到人与世界发生关系的方式。

02

THE PRIMACY OF SOFTNESS

柔性本元

Can there be a relational capacity that does not depend on domination and confrontation?

The Primacy of Softness examines the capacities to hold, respond, permeate, adapt, and remain in formation. It does not reject boundaries or judgment; it asks instead whether strength must always be demonstrated through control and suppression.

是否存在一种不依赖支配与对抗的关系能力?

“柔性本元”讨论承载、回应、渗透、适应与持续形成的能力。它并不否定边界和判断,而是重新思考力量是否只能通过控制和压制来体现。

03

THE ARTIST AS PARTICIPANT

艺术家作为参与者

If material, environment, time, and chance all participate in forming a work, how should artistic subjectivity be understood anew?

This inquiry focuses on relations among maker, material, and world. The artist remains responsible for selection and judgment, yet creation is no longer understood as unilateral control; it is a practice that continually unfolds within relations.

如果材料、环境、时间与偶然都参与作品形成,艺术家的主体性应该如何重新理解?

这一研究关注创作者、材料和世界之间的关系。艺术家仍然承担选择、判断和责任,但创作不再被理解为单向控制,而是在关系中持续发生的实践。

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